A Midsummer Night's Dream (As You Like It)

A beautiful, melancholic at times with dark undertones, love story directed by the exciting, talented Russian Theate Director/ Painter/ Set Designer/ Graphic Artist Dmitry Krymov.

I was lucky enough to be involved in this production by Chekhov International Theatre Festival, School of Dramatic Art Theatre and Dmitry Krymov Laboratory as a supernumerary/ actor when it toured Perth for the Perth International Arts Festival at His Majesty's Theatre in February 2014.

For seven days I listened to the sweet, angelic and sometimes haunting vocals of Anna Sinyakina who was the voice of Thisbe, perfectly complemented by Alexey Kokhanov's incredibly broad beautiful vocal range, who voiced Pyramus.

I was in awe of the the stripped back set with my favourite visual scene being the lovers' separation with deep blue lighting, a rising bright moon and a zig zag of tube lighting creating a lit path from the light of the moon leading to Thisbe's blood stained veil.

Anna's costume was mesmerisingly whimsical with deep blue velvet toque, long draped low slung back black velvet dress, white cotton gloves,brown boots.
Costume and set designed by Vera Martynova.
Another standout was Vadim Dubrovin's light, dance-like movements as he floated across the stage puppeteering Pyramus' hand movements.

Dmitry Krymov + me on the stage with the hilarious Sergey Melkonyan and incredible musician Anton telkov in the background, whom both play the 'rude mechanicals'

Grand old dame His Majesty's Theatre

Blues

All photographs copyright of Casey Temby

 

Links:

A Midsummer Night's Dream (As You Like It) 
ABC arts
The Guardian review 
Artshub review
Australian Stage review
Telegraph UK review
The au review

London Fashion Week A/W 2014

Loving Meadham Kirchhoff

 

Poli House, Pezo von Ellrichshausen, Chile, 2005

ORGANIC by John Patrick

Old Darwin - photographs by Casey Temby

Ian Fairweather Walk

Image courtesy of theaustralian.com.au  

 

I think Artist/ Adventurer Ian Fairweather would have liked this coastal walk dedicated to him on Larrakia land, Darwin.I recently took this walk and was inspired to write about it and share it.

Well done Darwin Council for allowing us to remember this great artist.

Brief summary:
Fairweather (born in Scotland 1891-1974) arrived in Australia in 1933.

Fairweather was a soldier in WW1 and was captured as a POW and during these four years of capture he was allowed to draw and he studied Japanese and illustrated POW magazines. After the war, he studied at the finest art colleges in Europe and this is where his wandering existence began.  He frequently lived in extreme poverty and worked odd jobs. 

He studied Chinese calligraphy which was a major influence on his work.

The Walk
The Fairweather Walk commemorates Fairweather's journey from Darwin Harbour across the Timor Sea, destination Timor.
He built a small raft from aircraft fuel tanks, driftwood and a recycled silk parachute as a sail. He set sail for Timor in 1952 at the ripe age of 60.  Coming close to being lost in the Indian Ocean and being circled by shark safter 16 days at sea, he managed to wash up on the small island of Roti.
The Indonesian Government were not impressed resulting in Fairweather spending two months in an Indonesian jail. He was then deported to England.

Fairweather then returned to Australia in 1953 and spent his remaining days living a solitary life in a thatched hut on Bribie Island, just north of Brisbane. It was on Bribie Island that he created most of his most prolific painting over 21 years.

 

 Above photographs copyright of Casey Temby

It is said that he is inspired by a myriad of influences from his early travels but specifically Chinese calligraphy.

Ian Fairweather | Kite flying 1958 | Synthetic polymer paint and gouache on cardboard laid down on composition board | 129.4 x 194cm | Purchased 1985 with the assistance of funds raised through a special Queensland Art Gallery Foundation appeal and with a contribution from the Queensland Art Gallery Society | Collection: Queensland Art Gallery | © Ian Fairweather, 1958/DACS. Licensed by Viscopy, Sydney 2011.

One of his paintings from 1961, Monastery acquired by the National Gallery of Australia was described by critics at the time as a masterpiece.

Fairweather's style has been described as being a sophisticated clumsiness. He often used materials that were readily available - cardboard or newspaper and the cheapest paints which resulted in many of his works being lost or damaged due to the tropical climate.

Fairweather is represented in all state galleries in Australia, the Tate Gallery, London, City Gallery, Leicester, and the Ulster Museum, Belfast. Ironically, the only exhibition of his own works he ever saw was an 1964 retrospective at the Queensland Art Gallery.



This is a very brief snapshot, for more information on ye old sailor and adventurer see http://www.ianfairweather.info/

Silvia Grav

http://www.silviagrav.berta.me/